Showing posts with label anime. Show all posts
Showing posts with label anime. Show all posts
Studio Ponoc's New Anthology Movie: Little Heroes
Hot on the heels with their success with Mary and the Witch's Flower (a decent fantasy movie designed almost solely for Studio Ghibli fans), Studio Ponoc has announced their newest feature film project, and it is an anthology movie consisting of three short stories created by three directors.
The first story is "Kanini and Kanino" and is directed by Hiromasa Yonebayashi (Mary, When Marnie Was There, The Secret World of Arrietty). The second story is "Samurai Eggs" and is directed by Yoshiyuki Momose (Ghiblies Episode 2, Capsule Trilogy, Ni no Kuni 2). The third story is "The Invisible Man" and is directed by Akihiko Yamashita, who has worked as an animator and character designer on Howl's Moving Castle, Arrietty, Marnie and Mary. This is his first time in the director's chair.
Little Heroes: Kani, Tamago and the Invisible Man is slated for an August release in Japan. The movie is fairly short, clocking in at under an hour, but promised a wide variety in storytelling and visual design. I have very happy memories of Ghiblies Episode 2, the 2002 Studio Ghibli anthology short film, and I hope that this movie is just as good.
I am happy to see Yonebayashi back in the director's chair again. Mary is a decent movie, but highly derivative and lacking in imagination. It felt like the animators were beating me over the head, saying "Hey, we used to work at Ghibli! Do you like Ghibli? We're just like Ghibli!" Beyond that, there just wasn't much of a movie to see. Perhaps this was necessary in order for the new animation studio to establish itself in a very crowded marketplace, and it was successful in Japan and the outside world, including an Academy Award nomination. So good for them. That said, Yonebayashi really needs to step up and deliver on those promises. I felt like Mary was a step backwards and he needs to be moving forward. I have very high hopes and expectations for "Kanini and Kanino."
I am especially happy to see Momose directing again. He was one of the strongest talents at Ghibli, and it baffles me to understand why he was never given a chance to direct a feature-length movie. He would have been a smarter choice than, say, Goro Miyazaki. But Ghibli gambled on the family name in hopes of finding a suitable successor to Hayao Miyazaki, and, well, things didn't quite go as planned. Momose was always the better talent and the artist with the greatest potential. His Capsule music video trilogy in 2005 is one of the most creative and inventive works to come from Ghibli. He most recently worked as the director of the animation scenes in the video game Ni no Kuni 2 ("Another World 2"). I expect his story to become the centerpiece of this anthology. Here is his big chance to step up.
The choice of Yamashita for the third story is very smart, demonstrating that Studio Ponoc will be expanding their roster of directors. They don't have a legendary name like Hayao Miyazaki or Isao Takahata, so they need a solid bullpen to be successful. I'm looking forward to see what this 50-something director can bring to the table.
No doubt this movie will be picked up by GKIDS for distribution in the States sometime next year. Maybe they'll move fast and release the title late this year in order to qualify for next year's Oscars. That's the move that I would make. They need to keep Ponoc's name in the public's mind, and two nominations in two years would be very helpful. Of course, we don't realistically expect an Oscar win; the "Best Animated Feature" category is really the "Disney/Pixar" category, and nothing is going to change the minds of the Motion Picture Academy voters.
Overall, great news, can't wait. Watch this space.
GKIDS Brings Mind Game in US Theaters
Masaaki Yuasa is one of the most talented and exciting animation movie directors anywhere in the world. His style effortlessly blends Japanese pop culture, manga and anime with the surreal Western cartoon style of Tex Avery or John Kricfalusi, then hurled into a blender with Andy Warhol pop art and Frederico Fellini surrealism. As far as I'm concerned, he's the best "unknown" filmmaker in the world.
His 2004 feature film Mind Game has endured as a cult classic, but its unique quirkiness has kept it out of the mainstream, and it remains somewhat obscure even among the anime diehards. Now GKIDS has finally brought this great movie to our shores, with a limited US theatrical run to be followed by a Blu-Ray/DVD release. Most likely, the movie has already come and gone from your city, so we'll have to wait for its arrival on home video. Start saving your pennies today.
Kudos to GKIDS, as always, for their dedication to global animated movies that continue to push the boundaries of the medium and preserve the classic tradition of hand-drawn art.
Here is the US trailer, which is more or less identical to the 2004 Japanese version. Enjoy:
GKIDS Animation is Film Festival Oct 20-22
This movie festival features the US theatrical premier of Mary and the Witch's Flower, the debut movie from Studio Ponoc and latest feature from Hiromasa Yonebayashi, the director of The Secret World of Arrietty and When Marnie Was There. The Sunday event has already sold out.
Other anime films from Japan include three from Masaaki Yuasa: Mind Game, Night is Short, Walk On Girl and Lu Over the Wall. This is a very welcome sight and will hopefully lead to wider recognition of this most visually inventive of anime directors.
On the Western side, the selection of animated features runs from mainstream blockbusters (Snow White and the Seven Dwarfs, The Incredibles, The LEGO Batman Movie, to a variety of independent movies, including the highly anticipated film from Nora Twomey (co-creator of The Secret of Kells), The Breadwinner, and the user-stylish French thriller, Zombillenium, a graphic novel adaptation where zombies, vampires and witches hide in plain sight by working at a horror-themed amusement park.
On the Western side, the selection of animated features runs from mainstream blockbusters (Snow White and the Seven Dwarfs, The Incredibles, The LEGO Batman Movie, to a variety of independent movies, including the highly anticipated film from Nora Twomey (co-creator of The Secret of Kells), The Breadwinner, and the user-stylish French thriller, Zombillenium, a graphic novel adaptation where zombies, vampires and witches hide in plain sight by working at a horror-themed amusement park.
This festival is an excellent idea, and should be shown in more US cities. Hopefully a successful run in Los Angeles will inspire GKIDS and their sponsors to do just that. I am already saving my money for the inevitable GKIDS Blu-Ray releases.
Lu Over the Wall: All the Anime Reviews the New Masaaki Yuasa Movie
Who is the greatest talent in Japanese animation today? Unquestionably, it's Masaaki Yuasa, the visual firebrand who has been blazing trails and blowing minds for over a decade. His 2004 movie Mind Game remains a milestone for hand-drawn animation. In 2017, his newest movie has arrived: Lu Over the Wall. And it looks absolutely spectacular. It appears to be a romance between a young aspiring musician and a mermaid; hearing the music causes the mermaid to sprout legs and walk on land, leading to discoveries, unwelcome attention from the locals, romantic rivalries, and an angry father who may end up flooding the entire town.
Hmm. This sounds vaguely familiar.
Scottish anime website All the Anime has written a lengthy review of the new film, which is currently screening at the Scotland Loves Anime film festival. Critic Johnathan Clements raises the obvious comparisons to Hayao Miyazaki's Ponyo on a Cliff by the Sea. Personally, I welcome our new aquatic overlords. I found Ponyo to be a spectacular movie, visually dazzling and inspiring, a heartfelt tribute to the joys of hand-drawn animation. Nine years later, we're seeing a younger generation take their inspiration and push the medium further.
I think if Fellini had made animated features, they would look very much like Yuasa's. Why is he still so obscure in the West? Anime and cartoon lovers should embrace him as a visionary genius. Every time I watch something he's created, I feel like I'm rediscovering the medium all over again. Here is something thrillingly, excitingly new. Aren't you sick and tired of all these stupid franchise sequels and formulaic cartoons? Aren't you tired of the endless recycling of the same soapy moral lessons and tired sitcom plots? Don't you want something better in your lives?
I'm really looking forward to seeing this movie. Don't let another Yuasa masterwork fall through the cracks.